September 27, 2012
cultured-fuck:

J.M.W. Turner, Spithead: Two Captured Danish Ships entering Portsmouth Harbor (1807-09)
Turner was as much a marine painter as he was a landscapist, and produced some fantastic marine paintings during his career, my personal favourite is his scene of the battle of Trafalgar.

Turner’s seascapes are indeed fantastic. Part of the strength of his work is the fact that he blended landscape and history painting to present fairly unique (for the time) takes on contemporary events. In this sense, he’s kind of a quiet radical.
As an aside, the Trafalgar paintings Samwise mentions are also quite massive when you see them in person.
Turner = Genius.
- RH

cultured-fuck:

J.M.W. Turner, Spithead: Two Captured Danish Ships entering Portsmouth Harbor (1807-09)

Turner was as much a marine painter as he was a landscapist, and produced some fantastic marine paintings during his career, my personal favourite is his scene of the battle of Trafalgar.

Turner’s seascapes are indeed fantastic. Part of the strength of his work is the fact that he blended landscape and history painting to present fairly unique (for the time) takes on contemporary events. In this sense, he’s kind of a quiet radical.

As an aside, the Trafalgar paintings Samwise mentions are also quite massive when you see them in person.

Turner = Genius.

- RH

6:16pm
  
Filed under: art Turner Spithead 
August 20, 2012
phassa:

Turner, William - Fishermen at Sea
Term has started. I held forth of T.S. Eliot’s “Waste Land” tonight, making such excellent points that I treated myself to whiskey and soda at the pub afterwards. A lot of whiskey and soda. And now I’m home and it’s raining heavily. Perfect sleeping weather! Goodnight, Tumblrverse!
- RH

phassa:

Turner, William - Fishermen at Sea

Term has started. I held forth of T.S. Eliot’s “Waste Land” tonight, making such excellent points that I treated myself to whiskey and soda at the pub afterwards. A lot of whiskey and soda. And now I’m home and it’s raining heavily. Perfect sleeping weather! Goodnight, Tumblrverse!

- RH

(via phassa-deactivated20130326)

July 30, 2012
fuckyeahjmwturner:

j.m.w. turner - the ponte delle torri, spoleto, 1840

fuckyeahjmwturner:

j.m.w. turner - the ponte delle torri, spoleto, 1840

July 30, 2012
fuckyeahjmwturner:

j.m.w. turner - fishing upon the blythe-sand, tide setting in, 1809

fuckyeahjmwturner:

j.m.w. turner - fishing upon the blythe-sand, tide setting in, 1809

4:59am
  
Filed under: turner 
July 23, 2012
fuckyeahjmwturner:

j.m.w. turner - the shipwreck, 1805

fuckyeahjmwturner:

j.m.w. turner - the shipwreck, 1805

July 23, 2012

fuckyeahjmwturner:

j.m.w. turner - the burning of the houses of the lords and commons, c.1834-35

July 22, 2012
fuckyeahjmwturner:

j.m.w. turner - apollo and python (detail), 1811

fuckyeahjmwturner:

j.m.w. turner - apollo and python (detail), 1811

July 18, 2012

j.m.w. turner - sunset

j.m.w. turner - sunset

(Source: fuckyeahjmwturner)

July 8, 2012
slickwhippet:

Joseph Mallord William Turner, The Sun of Venice Going To Sea (1843)

slickwhippet:

Joseph Mallord William Turner, The Sun of Venice Going To Sea (1843)

April 4, 2012

A lecture on “Turner and the Romance of Britain” by Simon Schama.  Professor Schama gave this lecture as a part of the Metropolitan Museum of Art’s retrospective exhibition on Turner in 2008.  I was fortunate enough to attend this massive exhibition, and I can honestly say that seeing almost all of the great Turner paintings in the same room was a nearly overwhelming experience.  I have particularly vivid visual memories of The Battle of Trafalgar, the various paintings and drawings of The Burning of the House of Lords and Commons, and Light and Colour (Goethe’s Theory).  I knew Turner and his art prior to seeing this exhibition thanks to various art history classes in college, but I didn’t understand that Turner might be the greatest painter in history until I saw all of those paintings squeezed into a series of connecting rooms (the exhibition featured over 140 paintings and watercolors). 

There is no British painter who more powerfully evokes the changing British landscape than Turner.  His fusion of historical setting—often contemporary—with landscape portraiture is not necessarily unique.  That he adds elements of industrialization to the mixture, however, is nothing short of revelatory.  Because he so spectacularly rendered the historical, social, and economic changes to Britain, Turner is his era’s definitive chronicler.  Yet, there is something deeply unsettled about many of the images that Turner presents.  By this I mean that his paintings often express a deep uncertainty, and an even deeper tension, about the coming of modernity to his beloved British Isles.  It is this perspective, generated at the very height of British imperial ascent, that elevates Turner from mere chronicler to that of an indispensable figure in both the history of Britain and in the totality of art history.

In these lectures, Professor Schama elaborates on similar claims to the ones I have just made, paying particular attention to Turner’s dualism.  It’s an excellent, if not very visually dynamic, lecture geared towards Turner fans, art historians, and a general audience.  In short, it’s Simon Schama doing what he does best: reminding us all why popular history and art history matters.

Part 2 - http://www.youtube.com/watch?v=tNBi3X6SXag&feature=relmfu

Part 3 - http://www.youtube.com/watch?v=0Rv3uhm_Eb4&feature=relmfu

Part 4 - http://www.youtube.com/watch?v=GoFlUat-30Q&feature=relmfu

Part 5 - http://www.youtube.com/watch?v=OKgaNBx1qMI&feature=relmfu

Part 6 - http://www.youtube.com/watch?v=DgQXxqCZzI0&feature=relmfu

Part 7 - http://www.youtube.com/watch?v=yMrvdmy1r-k&feature=relmfu

Part 8 - http://www.youtube.com/watch?v=67bGN3JljRA&feature=relmfu

Hopefully I got all those links right!  Enjoy! - RH

April 3, 2012

Simon Schamas Power of Art: J.M.W. Turner

I’m a huge fan of Schama as a popular historian.  He’s far too hyperbolic and florid for his own good, but I think he does a great service with his accessible, high-quality popularizations.  He’s especially good on British and Dutch art history, and this hour-long examination of life and vision of Turner is no exception to this claim.  I hope you enjoy! - RH

Part 2 - http://www.youtube.com/watch?v=I5rR8V1nsTo&feature=channel

Part 3 - http://www.youtube.com/watch?v=5u5ujYrudQY&feature=channel

Part 4 - http://www.youtube.com/watch?v=ANGAY12nAuY&feature=channel

April 1, 2012
J.M.W. Turner, The Slave Ship, Or Slavers Throwing Overboard the Dead and Dying—Typhoon Coming On, 1840

J.M.W. Turner, The Slave Ship, Or Slavers Throwing Overboard the Dead and Dying—Typhoon Coming On, 1840

April 1, 2012
J.M.W. Turner, The Burning of the House of Lords and Commons, 1835

J.M.W. Turner, The Burning of the House of Lords and Commons, 1835

April 1, 2012
J.M.W. Turner, Watercolor of a Venice Sunrise
A personal note:
I debated long and hard about whether or not to post this image.  Turner painted many watercolors, and there is nothing about this particular watercolor that is exceptional.  Yet, this is an incredibly emotional image for me to look at, and I wasn’t sure I wanted to include it in my blog because of that fact.  It remains in my Turner file of images because I once urgently needed a sunrise scene of Venice to send to someone important.  That’s where the story begins.
Earlier this year I was briefly involved (for lack of a better term) with someone at my college.  We had a shared love of Turner, among other things.  As can often happen when two people are first getting to know each other, we seemed to find a lot of shared connections and energy in deep conversation—and what wonderful conversations they were!  After going out one Friday evening for coffee, we found ourselves staying up and talking all the way through the night.  We’d gone to a lovely spot on campus, down behind the art museum and sat in a gazebo that’s perched on a stunningly beautiful lake.  When the dawn came, there was a spectacular sunrise.  Quite honestly, I think Turner himself would have painted the scene if he had seen it.  As the sun slowly rose and the colors changed, I decided it was one of the most perfect and deeply romantic moments of my life.  It was made even more brilliant by the fact that I had someone to share it with—someone who was also moved the by the beauty and immediacy of the moment. 
Later that morning, after I had returned home, I had a message from my sunrise companion thanking me for sharing that special time together.  It was a beautifully written message, simple in its elegance, and very heartfelt.  Feeling inadequate in my own ability to respond to such a graceful example of writing, I found this watercolor of Turner’s and sent it in reply.
Of course, things didn’t work out between us.  I don’t know why… Not really.  It was one of those connections that went from making perfect sense to making no sense at all.  Sometimes I see my sunrise companion around campus.  We don’t speak.  There’s often an unhappy look and that makes me sad.  Soon we’ll be going our separate ways for good.  I suppose that’s okay… After all, life goes ever on.  But every time I see this simple, uncomplicated Turner watercolor, I’ll think of that wonderful morning and that sunrise by the lake.  And I’ll think of my sunrise companion.  And those memories will be terribly bittersweet… But never regretful.
-RH
Update: My best friend, gentle and caring analytic philosopher that he is, read this today and promptly started to “take the piss” right out of me, declaring: “My God, this is so saccharine!  I actually need to go to the hospital to get treated for an overdose of sweetness. Though, seriously, I think I would feel bad for you… Except for the fact that I know how crazy you really are.”  In that moment, I understood what it means to have a sibling.  A sibling is, after all, someone you simultaneously respect for their refusal to bullshit you, and yet want to strangle for their inability to project even an inkling of charity.  Nevertheless, it did the trick—I was laughing hysterically by time he’d finished with his commentary.  So yeah, perhaps I have some editing to do?

J.M.W. Turner, Watercolor of a Venice Sunrise

A personal note:

I debated long and hard about whether or not to post this image.  Turner painted many watercolors, and there is nothing about this particular watercolor that is exceptional.  Yet, this is an incredibly emotional image for me to look at, and I wasn’t sure I wanted to include it in my blog because of that fact.  It remains in my Turner file of images because I once urgently needed a sunrise scene of Venice to send to someone important.  That’s where the story begins.

Earlier this year I was briefly involved (for lack of a better term) with someone at my college.  We had a shared love of Turner, among other things.  As can often happen when two people are first getting to know each other, we seemed to find a lot of shared connections and energy in deep conversation—and what wonderful conversations they were!  After going out one Friday evening for coffee, we found ourselves staying up and talking all the way through the night.  We’d gone to a lovely spot on campus, down behind the art museum and sat in a gazebo that’s perched on a stunningly beautiful lake.  When the dawn came, there was a spectacular sunrise.  Quite honestly, I think Turner himself would have painted the scene if he had seen it.  As the sun slowly rose and the colors changed, I decided it was one of the most perfect and deeply romantic moments of my life.  It was made even more brilliant by the fact that I had someone to share it with—someone who was also moved the by the beauty and immediacy of the moment. 

Later that morning, after I had returned home, I had a message from my sunrise companion thanking me for sharing that special time together.  It was a beautifully written message, simple in its elegance, and very heartfelt.  Feeling inadequate in my own ability to respond to such a graceful example of writing, I found this watercolor of Turner’s and sent it in reply.

Of course, things didn’t work out between us.  I don’t know why… Not really.  It was one of those connections that went from making perfect sense to making no sense at all.  Sometimes I see my sunrise companion around campus.  We don’t speak.  There’s often an unhappy look and that makes me sad.  Soon we’ll be going our separate ways for good.  I suppose that’s okay… After all, life goes ever on.  But every time I see this simple, uncomplicated Turner watercolor, I’ll think of that wonderful morning and that sunrise by the lake.  And I’ll think of my sunrise companion.  And those memories will be terribly bittersweet… But never regretful.

-RH

Update: My best friend, gentle and caring analytic philosopher that he is, read this today and promptly started to “take the piss” right out of me, declaring: “My God, this is so saccharine!  I actually need to go to the hospital to get treated for an overdose of sweetness. Though, seriously, I think I would feel bad for you… Except for the fact that I know how crazy you really are.”  In that moment, I understood what it means to have a sibling.  A sibling is, after all, someone you simultaneously respect for their refusal to bullshit you, and yet want to strangle for their inability to project even an inkling of charity.  Nevertheless, it did the trick—I was laughing hysterically by time he’d finished with his commentary.  So yeah, perhaps I have some editing to do?

April 1, 2012
J.M.W. Turner, The Fighting Temeraire, Tugged to Her Last Berth to be Broken Up, 1839.
This is my favorite Turner painting, and, by all accounts, also Turner’s favorite. He called it his “Old Darling” - RH

J.M.W. Turner, The Fighting Temeraire, Tugged to Her Last Berth to be Broken Up, 1839.

This is my favorite Turner painting, and, by all accounts, also Turner’s favorite. He called it his “Old Darling” - RH

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